How many times have you looked at your website and wanted to do an complete redesign? And how many times you said, ok I do it next month when I’m less busier. The truth is, that we just keep postponing the redesign and don’t do anything. But maybe just a little evolution and some small tweaking would do the job and would improve the website. How to decide if you need a complete new design or just some improvement? Here some questions to ask yourself and if you answer the majority with yes you need a complete overhaul.
Is your webdesign “trendy”?
Design is like fashion, there are trends. And the bigger trends of the last couple of years have been grunge, comics, <insert other trend here>. The beauty of the internet is, that it’s evolving fast. But just like in fashion, your site can look old fashioned in a blast. So if you don’t plan to renew the site design every year or so don’t get too trendy on your next design. And if your design is trendy now, get on to the next trend – sustainable web design.
Are you changing (or need to change) your website technology?
You are on a self hosted wordpress installation and want to switch over to a tumblr blog or get over to squarespace to not have to deal with updates and servers any more? It’s a good time for a redesign. You spend as much time to recreate your website on the new services as redoing the whole design. It can be evolutionary at large but take this opportunity.
Is your website just in Flash?
While I’m not a Flash hater and I see many uses of Flash in the real world that make sense, I cannot see the point of having a complete site in Flash anymore. It’s not even ok for “business card” sites with no content and who don’t want to get found in the search engine except for your local pizzeria which name you know but not the telephone number. Many of this businesses want something “flashy” and don’t mind the technology. It’s easier for a designer to please them with a nice Flash animation – and often it’s also quicker to do a Flash site, but you will get in trouble when mobile gets more important and the sites won’t work correctly. So I hope that with the advent of HTML 5 we will get rid of these problems – but if you want to prepare yourself now, get rid of Flash.
Evolution is better
I just picked three questions for the revolution section because there are not many reasons to do complete redesigns. Many times small improvements can have a big impact and help your site. Big sites like Amazon and Wikipedia have gone a radical redesign if you compare them to 5 years ago, but the steps where small. One by one. Testing and seeing what works and what doesn’t. Is learning from nature – making a lot of small variations to experiment what works best costs less “energy” that redoing everything from scratch. The are some instances where your have to revolutionize – but more often than not, evolution beats revolution.
Next up in the series of font alternatives for popular fonts is Thesis – or better known as TheSans, TheSerif, TheMix, TheSans Mono. I’ve found 7 interesting alternatives – from huge and expensive to very big and resonable priced. …click here to continue…
There are beautiful portfolio sites out there in the web and I wanted to redo my portfolio site because like most of the websites of designers my site was:
Quite out of date
Not very compelling any more
The reasons because my site was like this are easy to find. If you are a busy designer you mostly don’t have time to update your site. In the last years I started a blog and used twitter to engage with my audience, so the time for the portfolio is even smaller. Maintaining a portfolio site is not as easy and there are many big sites where you can upload your portfolio. The question was, what should I do. …click here to continue…
Sometimes the biggest time savers are in front of your eyes the whole time but you can’t see them. Mostly because this great features are so part of the system that nobody actually talks about them anymore.
One of this hidden features is the incorporated calculator in Adobe Creative Suite. It’s not documented that every value field can actually do some basic calculations and transformations. So if you want to expand a rectangle by 5 pt you just select the rectangle, add a “+ 5 pt” in the width field in your toolbar and hit Enter. You can even use different units to do the calculations – cool isn’t it.
The operations you can do is addition, subtraction, multiply and divide. But remember you can make only one operation at a time. Another cool way to use this feature is for font sizes. If you know are doing a poster for example and you know that you need the font to be 5 cm in height you can enter it right away, no need to transform centimeters in points.
The font DIN typeface family is inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and DIN 1451 Mittelschrift. This font comes since 1995 from two different foundries. While Linotype has the original designs, Fontshop made their interpretation with the aid of Albert-Jan Pool under the name FF DIN. FF DIN became quite popular because it had a few more widths and was optimized for graphic design.
Linotype on the other hand just launched their new DIN interpretation called DIN Next under the direction of Akira Kobayashi. In this new interpretation you find 25 fonts and 7 weights. An impressive re-work with many additional features. Find out more on the official website of Linotype.
While this are good news in the tradition of this series I’ve looked around the foundries to find some other alternatives and found some interesting ones. So enjoy. …click here to continue…
Why more and more companies choose to publish their own magazine is a wider topic I will cover in a future post. I will start my new series about corporate publishing by demystifying a myth – corporate publishing is boring. I will show you in this lesson how you can make a graphically stunning article about the introduction of a new window hardware product line by telling a story.
Advertising lies all the time – at least this is what most people think. I must admit that I tend to believe them when I see all the rubbish on various home shopping channels or housewife-magazines (no really, this kind of magazines exist). To be honest, advertising doesn’t lie more than the average human in any position and mansion, but I think advertising should not lie.
In many countries “lying” in advertising is strict prohibited and if you check the ads you probably find small clues for the omitted facts or the specific “conditions” to get the praised results. But this is not my point.
When do you reach the point where it is advisable to not advertise at all a product? Is it ok for a Aspirin to advertise its painkilling for sportsmen? I’ve seen an ad in TV where two girls talk after a fitness session. One complains about her aking muscles and other one gives her aspirin. Hmm. Stretching or not overdoing might be the better advice.
As an art director I was more than once presented to advertise products with small to none improvements or benefits when compared to the competitors products. I had obviously to show the product as if it where the best product of the world but I always avoided to push it over the top. I also refused to do advertising for certain products. I will not do advertising for weapons, drugs, cars (if they claim to save nature), the usual stuff – but where do you trace the line?
Is the graphic designer responsible for the products of his client? In my opinion any art director and graphic designer take a part of the responsibility because he helps to deliver the message to the costumers of his client. If you deliver a faulty message or if you do not deliver the truth you take part in the disguise. You as a graphic designer might not spot on first sight that the product doesn’t deliver what it claims but this is not always the excuse – it should come out when you do the briefing.
What do you think about the morale in advertising, where do you trace the line? Your opinions are welcome.
Back again with some more alternative fonts for your graphic design pleasure. This time I want to show you some very fresh fonts, none of the presented fonts are designed prior to 1999. This is partly because Interstate itself is quite new (1993) and it would be strange if I found an alternative that is older than the original. A bit of history – Interstate is based on the font used by the Federal Highway Administration and was one of the most popular typefaces in the 90s. Used often for corporate design and quite flexible enough for a broad range of “topics”. Enough bla bla, lets get started. …click here to continue…
You ever wondered why some magazines appeal you more than others? One thing you rarely been teached is how to do appealing covers. Even when you are in corporate publishing and layout the corporate news magazine having a nice cover is good. Besides the text layout having an appealing foto is key. But not every photo does the same good job. Here a few examples and why they work. …click here to continue…
But this does not mean that the design is simple. A minimalistic approach uses as few graphical elements as needed to transport the message to the user. No decoration or other distracting elements are added. The message is the protagonist. The graphical elements to focus on the message can be simple shapes, but the result is a rich expirience.
A design that is just “simple” on the other hand does not give you a rich expirience – it gives you the feeling that someting is missing.
If you do a minimalistic design and you get the feeling that something is missing, then you probably (1) didn’t focus enough on the message, (2) the message is too weak or (3) cannot be transported through minimalistic design:
To much decoration or complicated layouts can blur your message. Get rid of graphic elements without a function.
Weak messages are often the main problem. Minimalistic means reduced to the bones and a message which is blurry and not focused can’t work in this context. Talk again with your copywriter and client if you can get a message with a tighter focus.
You cannot transport chaos with a minimalistic approach. Period.
As a conclusion we could say: A minimalistic design uses only graphic elements with function to maximise the message, simple design ignores the message to maximise simplicity.
What is the job of an art director anyway. How is it like? And how to learn to do the things the right way in real life. I will present you here some insights and some tutorials about becomming an art director, not just a graphic designer. Tips & Tricks you won't learn in any school and normally you will have to figure them out yourself. So go ahead and start your lessons.
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One of this hidden features is the incorporated calculator in Adobe Creative Suite. It’s not documented that every value field can actually do some basic calculations and transformations. So if you want to expand a rectangle by 5 pt you just select the rectangle, add a “+ 5 pt” in the width field in your toolbar and hit Enter. You can even use different units to do the calculations – cool isn’t it.
The operations you can do is addition, subtraction, multiply and divide. But remember you can make only one operation at a time. 
Another cool way to use this feature is for 
